Saturday, January 31, 2009
Tuesday, January 27, 2009
Sunday, January 25, 2009
Time is everything in Carmen, and Carmen, the heroine, plays with her music, as if to delay what she knows is in the cards for her.
Her languourous hesitations, as in such great numbers as the habaƱera and seguidilla, suggest almost a metaphysical purchase on time, as contrasted with the four-square rhythms of the soldiers' music and other more worldly tunes heard around that Sevillean cigarette factory...
LLOYD DYKK ON VANCOUVER OPERA'S CARMEN
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Friday, January 23, 2009
Wednesday, January 21, 2009
Monday, January 19, 2009
Sunday, January 11, 2009
Thursday, January 8, 2009
Tuesday, January 6, 2009
Sunday, January 4, 2009
Saturday, January 3, 2009
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