GASTOWN WINDOW — 2001
BY LEE BACCHUS (CLICK TO ENLARGE)

NAT BAILEY STADIUM — 2008
BY BERNIE LYON

CUBIST VANCOUVER — VALENTINE & SONS POSTCARD CIRCA 1920S (?)
A RECENT EBAY PURCHASE

AFTER THE RECYCLING PLANT FIRE
MITCHELL ISLAND — SEPT 2002
BY BERNIE LYON

BUTCHER — WINTER 2008
BY LEE BACCHUS

IONA ISLAND "DOLPHINS" — JUNE 2009
BY BERNIE LYON

FROM DAVID WISDOM'S SLIDE SHOW EVENING LAST FRIDAY AT SFU DOWNTOWN. THE IMAGES COMPRISE A LARGELY THEMELESS COLLAGE OF 1950S AND '60S SLIDES RETRIEVED FROM THE ARCHIVES OF OUR FATHERS, BOB BACCHUS AND HARRY LYON.

HAIRCUT — 2001
BY LEE BACCHUS

HASTINGS RACECOURSE — 2008
BY BERNIE LYON

ORSONWELLIAN
The Magnificent Ambersons (Tuesday night at 9 on Turner Classic Movies), from 1942, is an endlessly rewatchable movie even better than Orson Welles's other classic, Citizen Kane. Absurdly truncated by the studio from the way Welles originally imagined it, there's still enough potency left in this operatic saga of a spoiled American brat who falls from 19th century aristocracy to working class. His tragic mother is the great silent screen beauty, Dolores Costello, and Agnes Moorhead gives possibly her finest performance as Fanny, his bitterly hysterical spinster aunt. The scene where Georgie (Tim Holt) gorges himself on her strawberry shortcake and a glass of milk is unforgettable. The whole movie is repertory-company excellence at its most unsurpassed and the camera work is stunning. It did abysmally when it opened. Too down-beat.
— Lloyd Dykk

MCLEOD'S BOOKS (PENDER AT RICHARDS) — JUNE 2009
BY LEE BACCHUS

WAITING FOR CATHOLIC CHARITIES
TERRY FOX MEMORIAL — JUNE 2009
BY BERNIE LYON

CHALDECOTT PARK —JUNE 2009
BY LEE BACCHUS

BICYCLE MONTH — JUNE 2009
BY BERNIE LYON

Photographs describing a Vancouver that William Gibson has described as: "Those occluded urban artifacts that we all passed, constantly, half-glimpsed, instantly forgotten until the next time."

CPR RAIL YARD — 2005
BY LEE BACCHUS & BRIAN GRAHAM

FERRY WAITING — 2008
BY BERNIE LYON

SELF PORTRAIT WITH A SCANNER — MAY 2009
BY LEE BACCHUS